
I’ve been reading for as long as I can remember—truly. I don’t have a single memory of my life before books. They’ve always been there, woven into every season of my childhood and every version of who I’ve become. Continue reading

I’ve been reading for as long as I can remember—truly. I don’t have a single memory of my life before books. They’ve always been there, woven into every season of my childhood and every version of who I’ve become. Continue reading

The crisp, bright white of a brand-new book will always have its own charm—clean, untouched, and full of quiet promise. But there’s a different kind of magic in pages that have tanned or even foxed over time. That soft amber glow and those faint, freckled specks—born from years of light, humidity, and simply existing on someone’s shelf—feel like the book’s own story unfolding alongside the one printed on its pages.
And here’s the thing: we all have our preferences when it comes to the books we collect. Some love that pristine, barely-opened look. Others gravitate toward the warm, seasoned feel of a volume that’s clearly lived. Personally, I love both. I’ve been reading literally since I can remember—from stuffed cloth books for babies, to thick cardboard storybooks for toddlers, to chapter books for intermediate readers, to fantasy novels and beyond. Naturally, a lot of my older books have tanned (and even foxed) through the years, and that never made me love them any less. If anything, it made them feel more mine.
A tanned or foxed page is a mark of time and testimony. Every shade of cream or brown, every tiny constellation of reddish spots, hints at where the book has been—moments by a sunlit window, evenings under a lamp, or entire seasons resting quietly on a shelf. And then there’s that familiar “old book smell”—lignin gently breaking down into that soft, vanilla-like scent that feels like being welcomed home.
The texture shifts too. The paper softens ever so slightly, turning velvety under your thumb. Holding a timeworn book feels like touching a memory.
And honestly, I’m really glad dehumidifiers exist these days. They help keep books from deteriorating too quickly, prevent mold, and slow down foxing and excessive tanning—especially in humid climates like what we have in the Philippines. But even then, time will still leave its gentle mark. Books will still age, still tan, still evolve in their own quiet ways.
In a world obsessed with the spotless and replaceable, a book softened by years carries a kind of steady authenticity. It says:
“I’ve been read. I’ve been loved. I’ve lasted.”
Dog-ears, faint smudges, tiny rings from forgotten cups—none of these diminish the experience; they enrich it. And whether you prefer crisp white pages or warm, timeworn ones, there’s beauty in both. One is the beginning, the other is the becoming.
I like being known as “the girl who reads”.
I like that when people see a book, they think of me. That when someone stumbles across a cozy bookstore or a bookish meme, they send it my way. That when they need a recommendation, they ask me.
I love when people notice my heavily tabbed books and ask, “What do all the colors mean?” I love when someone gives me a book because they know it’s the best gift I could ever receive. I love when a friend picks up something I raved about and messages me in all caps because they finally understand why I was so obsessed.
Being known as the girl who reads means being known for curiosity, for wandering into different worlds, for getting a little too attached to fictional characters. It means being the person who always has a book on hand, who will absolutely ignore reality for a good story, who disappears into books and comes back just a little changed every time.
Some people are known for their sense of humor, their aesthetic, their passions. I’m known for my love of stories. And if that makes me seem boring to some people, that’s fine. My whole personality might revolve around books and reading, but honestly? I wouldn’t have it any other way.



Wow, this is easily a 5-star read for me and is now probably my most favorite Junji Ito by far! Fragments of Horror consists 10 short stories with different themes.
This isn’t my first Junji Ito so you can say that I’m somewhat used to his out-of-this-world ideas when it comes to his works, but I still get that “what the fu–” reactions everytime I come across something so bizzare like that of Tomio: Red Turtleneck and Blackbird–my favorites–in this collection. It was freaking insane and creepy that I love it; it kind of reminds me of love potion horror stories. Continue reading
This book caught my attention the very first time I learned about it—one of the reasons is that my lolo is from Isabela which makes him Ilocano and Lam-ang is based on the Ilocano epic Biag ni Lam-ang.
Also, I feel like this is the perfect book to kickstart my reading year because I love fantasy and mythology and I’ve been meaning to get back into this genre after hyperfixating on thriller and horror in the past two years! And, not only that, but I also adore the “Chosen One” trope in fantasy, so you can definitely say that this book ticked off all of the things I am looking for in a fantasy book. Continue reading
This had been sitting on my TBR since 2022-ish and I finally decided to read it for Winterween 2025! For those of you who aren’t familiar with Winterween, it’s a readathon hosted by Gabbyreads on Youtube, so feel free to check her out for more details because another readathon similar to this will happen in the summertime as well!
Anyway, I’ve read another book from this author a couple of years back called Mukbang Princess and actually really liked it. It was a short but immensely weird book but the ending was so unexpected that I had to rate it 4 stars. So I’m really looking forward to read more of this author’s works.
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Title: The Last House On Needless Street
Author: Catriona Ward
Publication Date: September 16, 2021
Number of Pages: 363
Format: Paperback
Publisher: Viper
Genre: Thriller, Mystery
‘I haven’t read anything this exciting since Gone Girl’ – STEPHEN KING
‘Books like this don’t come around too often’ – JOANNE HARRIS
This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter Lauren and his cat Olivia in an ordinary house at the end of an ordinary street.
All these things are true. And yet some of them are lies.
You think you know what’s inside the last house on Needless Street. You think you’ve read this story before. In the dark forest at the end of Needless Street, something lies buried. But it’s not what you think…
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